No Limit

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By: Alastair Sutherland

Mitch Melnick tries to push the limits of local radio

He's local! He's opinionated! He's obnoxious! He talks about issues that are important to Montrealers!  He's also humourless, vain, paranoid and quite possibly insane, but what the hell!

     When I first heard that Howard Galganov would be hosting the CIQC's morning show, I laughed out loud.  It seemed preposterous, unbelievable.  Are we really so far gone that the first thing we want to do each morning is listen to Galganov railing on about the language laws?   Interspersed with his favourite tunes from the '60s?  Talk about getting a bad start on the day.

     There is, though, one interesting thing about Galganov's format.  He has it written into his contract that there will be no time delay, no jittery producer with his finger on the bleeper button (as is the case over at CHOM with the other Howard.).  When Galganov flips his lid, we get to hear it live, as it happens, direct from the home studio in his St. Lazare bunker.   Yahoo!

     Still, not all is lost on CIQC (AM 600).  Mitch Melnick, one of Montreal's better radio hosts, is trying to do something different in his drive-home slot (4-7 p.m.).  Sick of talking about sports for three hours, Melnick has transformed his show into a loose (very loose) program that seems to be about sports and whatever else springs into his mind.  It's called Melnick: No Limit and at this point has to be classified as a work in progress.

     In other words, it could also be called Melnick: No Format.  Sometimes you'll hear raunchy comedy routines and insightful commentary, sometimes you'll hear meandering '60s-obsessed conversations and (gulp) local callers trying to sing like Neil Young.

     Last Thursday's show, a special broadcast, was a salute to the Summer of Love and featured interviews with people like original '60s radical Paul Krassner and original CFOX Good Guy Dean Hagopian.   It ended with Jimi Hendrix blasting "Wild Thing" at the Monterey Pop Festival, which was definitely fun the hear on AM radio while driving through crosstown traffic.

     At least I thought so.   What Melnick's core audience of sports-crazed jocks thinks is another matter - I'd say there's a good chance they'd rather be listening to minute-by-minute updates on how much the Habs SUCK.  Melnick knows this is a problem - he's referred to it repeatedly on air - but seems determined to sail full-speed-ahead regardless of which way the idiot wind blows.

     And speaking of Dylan:most of the music on Melnick's show is good, but for my money there's too much mainstream rock and blues,  Why not put Bob and the Boss on the back burner every once in a while and play something for the kids (I hear they like Wu-Tang Clan and Ween).  Or maybe let the supporting cast (cute-sounding reporter-at-large Patricia Caporali, wisecracking producer Scott Saxon, socialist agitator Terry Haig, spaceman Bill Lee, right wing seamhead Jeff Blair, etc.) pick more tunes?  Or would that doom the show for certain?

     Anyway, you've got to hope that Melnick knows what he is doing and is not just waiting for the right moment to leave town for a bigger station or perhaps the Peace Corps.  At least he's taking some chances, and in Montreal that makes him a valuable radio commodity.  Someone who - with a bigger budget and proper support - would probably make a pretty good morning-show host.